Alexandra Weltz-Rombach is a filmmaker and producer based in Berlin. She holds a master’s degree in cultural studies, comparative literature, and history. Her audiovisual productions include documentaries, short films, and online formats.
In 2020, she founded the Galerie Auslage project, which provides a curatorial laboratory for art, books, objects, and ideas. Here she curated among others the project The Burdensome Richness. Independent female and queer artists in Berlin in the 1980ties and today.
In 2023 she served as a co-editor of the volume Radical Film, Arts and Digital Media for Societies in Turmoil (K. Verlag).
In 2024 she produced and curated the exhibition Eva Mamlok Group – Histories of Resistance in Kooperation with the FHXB-Museum in Berlin. She acts as a curator and producer for the annual Doxumentale, International Documentary and Media Festival in the D’Lounge section.
In 2020, she founded the Galerie Auslage project, which provides a curatorial laboratory for art, books, objects, and ideas. Here she curated among others the project The Burdensome Richness. Independent female and queer artists in Berlin in the 1980ties and today.
In 2023 she served as a co-editor of the volume Radical Film, Arts and Digital Media for Societies in Turmoil (K. Verlag).
In 2024 she produced and curated the exhibition Eva Mamlok Group – Histories of Resistance in Kooperation with the FHXB-Museum in Berlin. She acts as a curator and producer for the annual Doxumentale, International Documentary and Media Festival in the D’Lounge section.
Utopian Remembrance
Ongoing project since 2022
Research and remembrance work on the Eva Mamlok Group as an ongoing model of Utopian Remembrance.
Ongoing project since 2022
Research and remembrance work on the Eva Mamlok Group as an ongoing model of Utopian Remembrance.
The principle of Utopian Remembrance shapes the research, the work of memory, and the educational engagement around the Eva Mamlok group.
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Book Project: Radical Film, Art and Digital Media for Societies in Turmoil
Ursula Böckler, Julia Lazarus & Alexandra Weltz-Rombach, eds.
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Ursula Böckler, Julia Lazarus & Alexandra Weltz-Rombach, eds.
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Can radical film practices help to understand a disintegrating world? Can they have a healing effect? How can we maintain structures of solidarity in the field of radical media production for societies in turmoil and transition? And what does radical cultural practice look like in times such as ours, when everywhere we turn there seem to lurk even more acute challenges?
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Gallery Auslage is a curatorial lab for art, books, objects and ideas.
Galerie Auslage follows on from the history of off-spaces in Berlin, which have a rich history in the city but have been displaced by gentrification, real estate speculation and the associated pressure for a commercially oriented monoculture.
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Galerie Auslage follows on from the history of off-spaces in Berlin, which have a rich history in the city but have been displaced by gentrification, real estate speculation and the associated pressure for a commercially oriented monoculture.
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Exhibition Eva Mamlok Group, 2024
An exhibition by Alexandra Weltz-Rombach in cooperation with the FHXB Friedrichshain-Kreuzberg Museum.
Research Jutta Faehndrich, Miriam Visaczki, Miklas Weber, Alexandra Weltz-Rombach, Anna Hájková, Jasmin Lörchner
Website FHXB Museum
An exhibition by Alexandra Weltz-Rombach in cooperation with the FHXB Friedrichshain-Kreuzberg Museum.
Research Jutta Faehndrich, Miriam Visaczki, Miklas Weber, Alexandra Weltz-Rombach, Anna Hájková, Jasmin Lörchner
Website FHXB Museum
In the early 1930s, there were already brave young women in Berlin’s Kreuzberg district standing up to Nazism. One of them was Eva Mamlok, a Jewish teenager who performed everyday acts of resistance against the Nazi regime – first alone, and then alongside other young women. They formed networks, distributed leaflets, wrote slogans on walls, and organized an underground library.
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MIT OFFENEM BLICK
Interviews with contemporary witnesses of the Fall of the Wall in Berlin
A project by Gülriz Eğilmez and Alexandra Weltz-Rombach
YouTube Rosalux
Interviews with contemporary witnesses of the Fall of the Wall in Berlin
A project by Gülriz Eğilmez and Alexandra Weltz-Rombach
YouTube Rosalux
1989 – The fall of the Berlin Wall and the time of transformation marked a turning point for everyone living in Germany at that time. In the ritualized culture of remembrance centered around November 1989 and the subsequent reunification, the experiences of this epochal shift from the perspective of the migrant population remained absent for a long time.
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Casa Luz – Documentary
Written By: Navina Khatib
Directed by: Navina Khatib // Alexandra Weltz
Cinematographer: Alexandra Weltz
Project Assistance: Sarah Pfeil
Music: AERA (Ralf Schmidt)
Editor: Anna Pesavento
Sounddesign: Leo Brunnsteiner
Color: Walter Just
Produced by: Towanda Films// Navina Khatib
2013
Film here
Directed by: Navina Khatib // Alexandra Weltz
Cinematographer: Alexandra Weltz
Project Assistance: Sarah Pfeil
Music: AERA (Ralf Schmidt)
Editor: Anna Pesavento
Sounddesign: Leo Brunnsteiner
Color: Walter Just
Produced by: Towanda Films// Navina Khatib
2013
Film here
The documentary Casa Luz gives an insight into the everyday life of Peruvian orphans. A life full of poverty, loss and grief – a path they did not choose – and yet they still manage to find their way.
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ANTONIO NEGRI – A Revolt that Never Ends
A film by Alexandra Weltz and Andreas Pichler
Camera Dietmar Rasche
Editor Evi Romen, Catharina Copony
Produced by Gebrüder Beetz Filmproduktion
Watch here
52 min., 2004
Photocredit Christian Werner 2013
A film by Alexandra Weltz and Andreas Pichler
Camera Dietmar Rasche
Editor Evi Romen, Catharina Copony
Produced by Gebrüder Beetz Filmproduktion
Watch here
52 min., 2004
Photocredit Christian Werner 2013
Few European intellectuals have inspired as much admiration and hatred, as much praise and rejection, as Antonio Negri. Few have lived such a turbulent life. Antonio Negri was a university professor, philosopher, activist, fugitive, enemy of the state – and to this day remains a leading figure of a neo-Marxist current of Operaism. The film paints the portrait of a life in revolt – a revolt that never ends.
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